Impatience ( Charles Dekeukeleire 1928)

An introductory title informs the spectator that the film will be composed of four series of images, the motorbike, the woman, the mountain and abstract blocks, elements which serve as the starting point for Dekeukeleire to construct his film according to very precise parameters. The rhythm is given by a mathematical fragmentation of the film s running time, divided up into temporal segments where the four repertories of images succeed each other in every possible combination with no respect for either me