Rebecca Salvadori The Sun Has No Shadow ( Excerpt)

In one of the opening scenes of The Sun Has No Shadow a modulated voice suggests that: the openness to exteriority and its influences is an essential characteristic of another feature of the modernist inheritance and that is to reveal the Other within oneself, to become Other. Under the gaze of experimental filmmaker and video artist Rebecca Salvadori, refurbished factories and warehouses, industrial parks, dimlylit underpasses and motorwayadjacent woodlands are produced not only as hedonistic spaces, the as yet undeveloped real estate upon which Londons clubs and free parties can find an all too often temporary home, but as liminal sites of transformative potential, in which one is suspended in fleeting moments of intimacy and communal connection. Cutting between nonlinear documentary and abstract montage in a dissociative assemblage of image, sound and text, The Sun Has No Shadow navigates a vital shared territory between the moving image and live sound and performance, splicing footage from Canning T