DMX The GOAT That Never Was
The year is 1998 and hiphop is in a state of flux. Steeped in the midst of the flashiness of the Jiggy era, New Limits commercial golden years and reeling from the premature departures of Biggie and Tupac, the genre aches for a breakout artist to place their faith in. Surpassing the City of Angels Soundtrack and the R Kellyprotégé Sparkle to reach the top of the Billboard 200 on 6th June, that emergent star would arrive on Its Dark And Hell Is Hot. Depicted in a devilish red glow, a wiry MC from Yon
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