Him and Me ( James Benning, 1982)

Him And Me has Benning s hallmarks: pristine cinematography, a quasiautobiographical stance, and a minimalist structure that juxtaposes concrete realities with offscreen mysteries. This is one man s journey through the American landscape as he has experienced it since the 1950 s: a richly hued vision punctuated by the sexual, musical, and political mores of three