Strawberry Path Leave Me Woman (1971)

This terrible band was an appalling sour mash of American Breed codpsychedelia overlain with lashings of the kind of shrill spewdo operetta that would disgrace the grooves of Uriah Heeps dopey SALISBURY LP twelve months hence. Like most of the socalled heavy Japanese bands of the period, Strawberry Path was in actuality anything but. Generally, their catholic sound is eclectic and overwrought, with arrangements being of the everythingincludingthekitchensink variety. Music freaks claim songs such as