Analog Four Sketch, 5 Malleable

I ranted on the Elektronauts forums the other day about why I like performing on the Analog Four. I explained a couple of performance macro tips, one of which was to use two macro knobs to control the delay and reverb. The idea was to use one knob to increase the intensity of the effects and the other knob to hold them back, which let me experiment with crazy sounds while preventing them from spiraling out of control. I tried this idea on the sound on track 1. The default sound is this hihatlike noise sound. Turning up knob, 1 increases the intensity of the hihat sound, while introducing a distorted sawlike sound. Knob, 2 adds more and more bass to the sound, turning it into sort of a kick and bass, while also introducing a clear sawlike note and a downward pitch at the start. This setup made the sound really malleable and fun to play with, hence the slightly too long and repetitive track. All audio is coming from the Analog Four, with some light processing through the Analog Heat and a bit of masterin