Antonio Gades y Cristina Hoyos (baile), El Lebrijano, Emilio de Diego Seguiriyas, CC Eng, Esp

1969 02:24 Te fuiste de mi vera 04:50 Ahora tu vienes hincaíto de rodillas 06:34 Santiago y Santa Ana Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante 2004 Madrid) Cristina Hoyos Panadero (1946 Sevilla, Spain) castañuelas, castanets Cante: El Lebrijano (Juan Peña Fernández, Lebrija, Sevilla, 1941 2016) Toque: Emilio de Diego (1943, Madrid) Seguiriyas Seguiriyas have very few lyrics and lots of wailing and are difficult to interpret. They reflect the suffering of human relationships, love and death. They appeared in the late eighteenth century and became more widespread at the start of the nineteenth century. According to some authors, together with the soleá, the Seguiriyas is one of the most important historical pillars of the cante jondo, that is particularly strongly influenced by the interpretation of the Andalusian gitanos. Etymologically, its name is supposed to derive from the seguidilla. A phonetic corruption has