Now I am Yours Nina Danino, 1992

After sketching out some ideas, Nina and I went to the studio and I spent several days performing to the film. I processed my voice through my Eventide Harmonizer and two digital delays as I sang and made various mixes of the multi track recordings. The black and white images of a nun running down a corridor in slow motion screaming, her habit trailing behind her as she falls to the ground, and the sound of Ninas voice, like gunfire as she reads out her own text and from the writings of Saint Teresa of Avila are indelibly printed on my mind Shelley Hirsch, States, CD booklet, 1997