Jerovi, José Rodriguez Soltero, 1965

A key work of queer and Latino New York underground film, José RodríguezSoltero described Jerovi as his sexual probe of the narcissus myth. A boldly erotic, dreamlike portrait of Jeroví Sansón Carrasco, who also commissioned and financed the film, Jerovi offers a Narcissus for the 1960s period of the sexual revolution, marking a significant shift from the introspective and psychoanalytic use of narcissism by previous queer experimental filmmakers.