Django Reinhardt Nuages Paris

Django Reinhardt et le Quintette du Hot Club de France Hubert Rostaing (cl); Alix Combelle (cl, ts chimes); Django Reinhardt (g solo); Joseph Reinhardt (g); Tony Rovira (b); Pierre Fouad (dm) 1940 December 13 Swing, Paris Django was not happy with his first attempt at NUAGES and when the quintet returned to the studios for another session he also called on Alix Combelle. In the Delauney biography of Django, Combelle recalls an original idea which emerged: With a single clarinet Django couldn t get the effect he was after; it was the typical quintet sound. Now, with two clarinets he had the makings of an orchestra at his disposal and even succeded in in giving the impression of a much larger group. On this session 14 tracks were recorded and on Nuages the presence of the two clarinets is only obvious on the introduction and the standard last chorus. The tempo was adjusted to a more reasonable pace and by the time Django begins his solo the feeling is that this br, br,