M. Night Shyamalan on Knock at the Cabin, Why He Used a Lot of Close Ups Future Projects

When the line, I see dead people, was uttered, writerdirector, M. Night Shyamalan, secured his place in cinema. The Sixth Sense, which went on to earn two Academy Award nominations that year, paved the way for nearly three decades of Shyamalans original filmography, now known for its psychological thrills and plot twists. In his most recent feature, Knock at the Cabin, the screenplay is an adaptation of the Bram Stoker Awardwinning novel, The Cabin at the End of the World by Paul Tremblay, with themes the filmmaker found inspiration in. During a family getaway, a couple, Eric and Andrew, played by Jonathan Groff and Ben Aldridge, take their daughter Wen (Kristen Cui) to a secluded cabin in the woods. While outside by herself, Wen is approached by a strange man who says his name is Leonard (Dave Bautista). At first, Leonard seems softspoken and kind, but when his friends, played by Rupert Grint, Nikki AmukaBird, and Abby Quinn, emerge from the trees with weapons, this family vacation goes south