King Crimson VROOOM, Coda: Marine 475 ( Live At The Warfield Theatre, 1995)

, billbruford, kingcrimson, yes, tamadrums, billbruford searthworks When Robert Fripp convened an early rehearsal for this King Crimson sextet at my house in the mid1990s, my percussive colleague Pat Mastelotto and I had never met. I asked him what instrument he was going to be playing. He explained he was also playing tubs we were to be a twodrummer outfit. Thats a curve ball, right there, but we got right down to it. We were from very different backgrounds and experiences, and brought different skills and enthusiasms to the table. Pat was from a solid background. Loud and consistent, he hit em hard and in a way that discouraged surprises. Me: the closet jazzer, seduced by progressive rock, lighter in style, with a taste for the unlikely, the unpredictable and the oddmeter. We spent a lot of time in the back of the bus, woodshedding fun things to do with two drum kits, like metrical wheelswithinwheels (BBoom; Sex, Sleep, Eat, Drink, Dream), or displacing the rhythm so I p