Samuel Kerridge Taylor Burch, The Other Downwards 2019

Sam Kerridge meets Taylor Burch (DVA Damas) for a surreal, slowly encroaching album of hyper, scudding, industrial music with vocal narration in spacious, theatrical space. The effect is something like listening to Autechres Anti EP intersected with shards of broken junglist edits and overlayed with a dystopian, bladerunneresque vocal inspired by Jean Cocteau. This one benefits strongly from volume play loud. Opening his sound up to kindred spirits, and allowing more space and time for his sounds to take hold, The Other locates a newfound sense of nuance and context in Kerridges music. His arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on 2017, 2018s The Silence Between Us and The I Is Nothing. The adaptation is necessary as the music now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate Taylor Burchs startling voc