Wherever You Go, There We Are Jesse Mc Lean, 2017

In this experimental travelogue, efforts to sound human and look natural instead become artificial. The scenery is provided through photochromed vintage postcards, displaying scenic North American landscapes and the rise of infrastructure and industry. Aspiring to look more realistic by adding color to a black and white image, the postcards are instead documents of the fantastic. The road trip is narrated by an automated correspondent (all dialogue is taken from spam emails), his entreaties becoming increasingly foreboding and obtuse, in a relentless effort to capture our attentions.