Dominic Angerame Continuum (1987)

Continuum (1987) 16mm 15 minutes black and white silent . .. In Continuum, the world, the workers within the world, and the labor of making the film itself are equated through montage and a brilliantly concentrated filmic painterliness. The result is an experimental film which is at the same time a document of propaganda in the sense that, at its conclusion, one finds oneself closer to the science of the motion of society in its monumentality, with streets, buildings, the building of them, and the workers and their instruments (drills, tar) creating a constructivist poetry within the Hirschman