Outer Space (1999)

A premonition of a horror film, lurking danger: A house at night, slightly tilted in the cameras view, eerily lit surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkasskys dramatic frame by frame recycling, recopying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewers feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion Directed by Peter Tscherkassky