The Japanese Sandman
Both wry travelogue and heartbreaking tale of love lost, The Japanese Sandman adapts a letter William S. Burroughs wrote to Allen Ginsberg in 1953. Told in Burroughs caustically funny voice, cocaine snorting in Panama and postprom handjobs in 1931 St. Louis dissolve into a meditation on memory and artist John Fleck leads a standout cast through Burroughs recounting of scoring opiates, whores and boys in Panama and, in the letter s P. S., a love affair with farm boy Billy Brandshin
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