Carlos Motta (2015) Deseos, رغبات

Written by Maya Mikdashi and Carlos Motta The film Deseos, رغبات (Desires) exposes the ways in which medicine, law, religion, and cultural tradition shaped dominant discourses of the gendered and sexual body through the narration of two parallel stories. The first is that of Martina, who lived in Colombia during the late colonial period of the early 19th century. The second is the fictionalized life of Nour, who lived in Beirut during the late Ottoman Empire. Part documentary and part fiction, the film presents an imaginary correspondence between these women. Separated by geography, culture, and religion they both faced the consequences of defying sex and gender norms. The colonial court prosecuted Martina in 1803 for being a hermaphrodite after being accused by her female lover of having an unnatural body. Martina was tried in a court of law and ultimately set free after medical doctors appointed by the court were unable to find evidence of her lovers accusation. This story is documented in the 1803 le