Sarah Polley on DOG DAY AFTERNOON, TIFF 2022

Reuniting Sydney Lumet and Al Pacino, the duos second great NYC truecrime movie of the 1970s was even more spectacularly successful than their previous hit Serpico. Pacino and John Cazale play sadsacks Sonny and Sal, whose fumbled attempt to rob a Brooklyn bank leads to a hostage situation when the building is surrounded by cops. Over the course of the long, hot day, the standoff becomes a threering media circus as the hostages and their captors develop a strange affection for each other, Sonny is elevated to the status of underdog hero (thanks to his defiant, copbaiting chant of Attica Attica ), and the motive for his bungled robbery is revealed. For all the internal and external conflicts playing out in gritty old 1975, Dog Day Afternoon is remarkably empathetic and arguably progressive on specific social issues for its day; even one nowarchaic casting decision yields a groundbreaking and boldly sensitive supporting performance from Chris Sarandon (which earned him an Oscar nomination). One