Working with Pro Res RAW in Final Cut Pro

In this video, Mark covers how to configure both your camera and the Atomos Ninja V for recording ProRes RAW, then how to use those files in Final Cut Pro for the ultimate in image control. Chapter Index Below: 00:00 Start 01:06 Disclaimers 03:18 Required gear 05:46 Setting up your camera 08:51 Setting up the Ninja V 13:36 Does ISO matter 16:51 No transcoding needed 17:46 ProRes RAW file size 19:29 Setting RAW to Log Conversion and Camera LUT 21:15 Changing ISO 22:31 Color temperature 23:26 Adding HDR RAW clips to an SDR timeline 24:45 Understanding Ninja 16:9 Cropping 26:08 Grading RAW vs. XAVC 30:17 12bit ProRes RAW vs. 10bit XAVC 32:41 ProRes RAW and noise 36:59 Closing thoughts The DP Journey ProRes RAW Part 1: The DP Journey ProRes RAW Part 2: Gerald Undone Ninja V Setup , FCP, ProResRAW, Atomos