Dore O. Kaldalon (1971, West Germany)

Landscape exists only as a view through windows and doors, individual images are in opposition to themselves, growing closer together or dissolving into each other. Besides compressed images, the breaking of spaces and of course time, there are shots which have been left undoctored. Attraction, amalgamation, and removal of half of the image with the goal of a sensual topology are the principal formal means of the chosen language. One image devours the other. Dore O.