The becoming music of music Deleuze Studies International Conference Daughters of Chaos 2015
In his only text dedicated to performing arts, One Less Manifesto in Superpositions, Deleuze comments on how the operation of Carmelo Bene on theatre is directed against both the power of what is represented and the power of theatre itself: the system of representation is inextricably linked with the elements of power represented therein. We can recognise in this comment Benes relationship with a No inherent in theatre, the struggle with a cliché that is more important than the struggle against chaos, in
|
|