matrix III film: john whitney; music: germanager

this is my musical response to this 1972 computer animation. each of the 3 movements is placed at what seemed like a convenient starting point on the film timeline. no further editing was performed, and so any synergy between sound and image that prompts an affective or cognitive response, leading to signification, connotation of which the viewer, listener is conscious in whatever way, is coincidental. the pieces of music were not composed for this film, but were chosen with a gut instinct approach br, br,